Michalzbiku95 napisał(a):zamiast komentków będą oceny, bo wszystko było tak przeciętne, że moje komentarze nic by nie wniosły

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Michalzbiku95 napisał(a):przecież naciskałem randomy

ytron napisał(a):

Michalzbiku95 napisał(a):przecież naciskałem randomy

To źle naciskałeś bo wyszło za mało randomowo

mumin_king napisał(a):za pół godziny idę do pracy, tak więc macie niby więcej czasu niż zazwyczaj

4 osoby

jutro gdzieś po 6 wykaz pański

david napisał(a):16 - ytron stał się przewidywalny

daga napisał(a):16. Ytron? Jakas przed wojenna gwiazda czy inna spiewajaca aktoreczka... lub Mumin

16. Oberst – Bioshock OST - Little Sisters' Song

I was thinking about ways to create depth in daily life in Rapture, and thought that the Little Sisters’ Home could use a little propaganda music… A song that would ease the minds of the citizens that little girls being taken from their families was really just another example of living the Objectivist’s Dream! So I took on the role of being the music producer who put together this totally phony recording session with a professional singer and a group of child singers, to create an idealistic musical conversation between “Mama Tenenbaum” and a group of fresh-faced, joyful little sisters.

The melody and lyric for the chorus came easily:

“We are free, free to be

Free to be what we want to be

Papa Ryan, Uncle Suchong, my sisters and me.

We can be what we want to be!”

Then I wrote verses that took a common childhood notions like “don’t take candy from strangers…” and turn it on its Objectivist head – so instead of “…because they could be bad people”, in this song it is “…because you don’t need charity.”

I played a rough version of the tune for Ken and he thought it was great. He created the spoken opening, and suggested I write an extended musical intro, in the traditional structure of a song from a musical of the 40’s or 50’s.

All that was left was to create the final track. Duncan Watt turned my lead sheet and rough MIDI sketch to a full orchestral arrangement, while producer Marc Lacuesta found a singer named Shelley Jennings to perform the “Mama Tenenbaum” part. The little sisters were performed by in-house talent: Sarah Rosa, Kayla Belmore, and Ashlee Flagg. I mixed all the tracks together, making sure that the transition from “spoken voice” to “singing voice” was appropriately mismatched, and antiquing it so it sounded like it had been spinning on repeat for days.

Michalzbiku napisał(a):Ytron to Adadżio for strings to nie Tiesto zrobił? xd

ytron napisał(a):

Michalzbiku napisał(a):Ytron to Adadżio for strings to nie Tiesto zrobił? xd

Chyba Ciebie.

Michalzbiku95 napisał(a):

ytron napisał(a):

Michalzbiku napisał(a):Ytron to Adadżio for strings to nie Tiesto zrobił? xd

Chyba Ciebie.

No co za kasztan
https://www.youtube.com/watch?v=8tIgN7eICn4